![]() Make the slope of this highpass filter 24dB per octave. Sub-step 1: Use a high-pass filter up to 15Hz on the Mid image. Here’s what I do when using subtractive equalization on a master: That’s why it’s important to attenuate excessive frequencies first, before causing any amplification. The response being, the next few forms of processing will amplify the signal, and possibly make any issues with the mix worse. With this equalizer, we’ll be performing subtractive equalization, meaning, we’ll only use this equalizer to attenuate aspects of the frequency response. ![]() ![]() For our example, we’ll be using the FF Pro-Q 3. Insert a mid-side equalizer as the first plugin on your stereo track. Now that your session is prepared, you’re ready to begin processing the signal and shaping it in the sound that you want. Step 3: Insert a Mid-Side Equalizer and Use Subtractive Equalization In other words, you give yourself enough room to work and protect your master from unwanted distortion. By reducing the gain with clip gain, you ensure that the amplitude of the mix is reduced prior to any processing taking place. With that in mind, it’s best to turn down the gain of the track, instead of using the channel fader, or another method. Only do this is you cannot get a revised mix. Use clip gain to reduce the gain of a mix if its too loud.
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